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John Gavin

John Gavin

John Gavin (April 8, 1931 – February 9, 2018) was an American actor who was the United States Ambassador to Mexico (1981–86) and the president of the Screen Actors Guild (1971–73). He was best known for his performances in the films Imitation of Life (1959), Spartacus (1960), Psycho (1960), and Thoroughly Modern Millie (1967), playing leading roles in a series of films for producer Ross Hunter. Born Juan Vincent Apablasa Jr., Gavin was of Mexican, Chilean and Spanish descent, and was fluent in Spanish. His father, Juan Vincent Apablasa Sr., was of Chilean origin, and his paternal ancestors, including Cayetano Apablasa, were early landowners in California under Spanish rule. Gavin's mother was Delia Diana Pablos. Gavin’s parents divorced when he was about two years old. Gavin’s mother married Herald Ray Golenor, who adopted Gavin and changed his name to John Anthony Golenor.

Born: 1931-04-08 • Los Angeles, California, USA • 31 titles

Known For

Known For

Psycho
HD
Movie1960en

Psycho

Spartacus
HD
Movie1960en

Spartacus

Pussycat, Pussycat, I Love You
HD
Movie1970en

Pussycat, Pussycat, I Love You

Imitation of Life
HD
Movie1959en

Imitation of Life

Thoroughly Modern Millie
HD
Movie1967en

Thoroughly Modern Millie

Disclosure
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Movie2020en

Disclosure

Back Street
HD
Movie1961en

Back Street

Midnight Lace
HD
Movie1960en

Midnight Lace

A Breath of Scandal
HD
Movie1960en

A Breath of Scandal

Quantez
HD
Movie1957en

Quantez

Raw Edge
HD
Movie1956en

Raw Edge

The Madwoman of Chaillot
HD
Movie1969en

The Madwoman of Chaillot

A Time to Love and a Time to Die
HD
Movie1958en

A Time to Love and a Time to Die

Pedro Paramo
HD
Movie1967es

Pedro Paramo

OSS 117 Murder for Sale
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Movie1968it

OSS 117 Murder for Sale

Doctors' Private Lives
HD
Movie1978en

Doctors' Private Lives

Jennifer
HD
Movie1978en

Jennifer

Cutter's Trail
HD
Movie1970en

Cutter's Trail

The Solid Gold Girl
HD
Movie1964en

The Solid Gold Girl

The Bronze Screen: 100 Years of the Latino Image in American Cinema
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Movie2002en

The Bronze Screen: 100 Years of the Latino Image in American Cinema