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Shot on 16mm film using a handcrafted Time-Slice camera with 293 lenses—a modern reinterpretation of the original device built by Tim Macmillan in the early 1980s—this experimental (3D) short offers a unique, tactile exploration of time and light as the raw materials and fundamental paradoxes of cinema. Created during an artistic residency at Art Cinema OFFoff in Ghent, Belgium.
