Farah Al Qasimi approaches large histories through a child's eyes. Her own drawings from age five, including a headless camel and a falling plane, appear alongside pigeons, domestic interiors, bilingual text, and montages of burning oilfields and pop-culture imagery. Together, they explore how children take on guilt they cannot name. The work reads like a dreamlike scrapbook of early memory. Pigeons, domestic interiors, and eyes and mouths flicker as tiny screens sit beside bilingual Arabic and English text and drawings, some made by the artist at age five. Lines that sound like a child accidentally casting a spell hint at the work's central concern. Her montages leave open whether it is oil wealth, colonial legacies, social constraint, climate collapse, or all of these at once.